What happens when you assemble Dorothy Parker, Lillian Hellman, Stephen Sondheim and Leonard Bernstein in a room with a legal pad and some score paper? Why, Candide of course, their satirical 1956 adaptation of Voltair’s Enlightenment-era classic.
A young man falls in love but is immediately separated from the object of his affection. An unbelievable series of misfortunes befalls him in his struggle to reunite with his lover, while along the way he gains deep insight into human nature.
Composed at around the same time as West Side Story, Bernstein’s music and Sondheim’s lyrics paint a grand picture of optimism against a backdrop consisting of as much death and misery as any other opera you’d care to mention.